To all the world, Alizeh is a disposable servant, not the long-lost heir to an ancient Jinn kingdom forced to hide in plain sight.
The crown prince, Kamran, has heard the prophecies foretelling the death of his king. But he could never have imagined that the servant girl with the strange eyes, the girl he can’t put out of his mind, would one day soon uproot his kingdom—and the world.
This companion novel to Abigail Hing Wen’s New York Times bestselling debut, Loveboat, Taipei, follows two fan favorite characters—Sophie and Xavier—as they reconnect and write their own futures on a wild, unexpected Loveboat reunion.
Sophie Ha and Xavier Yeh have what some would call a tumultuous past.
It’s a classic tale of girl-meets-boy, boy-meets-other-girl, heart-gets-broken, revenge-is-plotted, everything-blows-up. Spectacularly.
At least they’re friends now. They’ve left the drama behind them back in Taipei—at their summer program, Loveboat—forever.
Now fall is here, and it’s time to focus on what really matters. Sophie is determined to be the best student Dartmouth’s ever had. Forget finding the right guy to make her dreams come true—Sophie is going to make her future happen for herself. Xavier, on the other hand, just wants to stay under his overbearing father’s radar, collect his trust fund when he turns eighteen, and concentrate on what makes him happy, for the first time ever.
But the world doesn’t seem to want Sophie and Xavier to succeed. Sophie’s college professor thinks her first major project is “too feminine.” Xavier’s father gives him an ultimatum: finish high school or be cut off from his inheritance.
Then Sophie and Xavier find themselves on a wild, nonstop Loveboat reunion, each trying to resist the chemistry that originally led to them to combust. As they grow closer, they hatch a plan to take control of their own futures. Step one? Break all the rules.
Loveboat, Taipei was an absolute force that was published at the beginning of 2020, and I distinctly remember reading it right as we heard about COVID. One of the reasons I remember it so distinctly is because Ever’s story was so intense, and I never wanted to put the book down. If you don’t remember, Loveboat, Taipei chronicles the summer when Ever Wong was 18, and was sent to Taiwan to attend a program for teens to learn Mandarin, but little did they know that it would lead to one of the most tumultuous seasons of her life. Abigail Hing Wen included portrayal of topics such as the incredible pressure that some Asian and Asian-American parents put on their children by comparing their achievements to other childrens’, and the feelings of inadequacy that can result. But most of all, it was an incredible roller coaster of a book that I wouldn’t soon forget.
After 2020 ended, I thought 2021 was going to be the best, and I was planning on taking lots and lots of rest, acknowledging my body’s cues, and working on my boundaries. I maybe made it 30% of the way there, which is an accomplishment in itself. In reality, 2021 turned out to be an absolute roller coaster in my personal and professional life.
Reha feels torn between two worlds: school, where she’s the only Indian American student, and home, with her family’s traditions and holidays. But Reha’s parents don’t understand why she’s conflicted—they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked—Reha means “star” and Punam means “moon”—but they are a universe apart.
Then Reha finds out that her Amma is sick. Really sick.
Reha, who dreams of becoming a doctor even though she can’t stomach the sight of blood, is determined to make her Amma well again. She’ll be the perfect daughter, if it means saving her Amma’s life.
I don’t know what it is about this time of year that makes me more drawn to reading novels in verse. Perhaps it’s the contemplative and expressive autumn feels, or the release of Red (Taylor’s version), but whatever it is, I am so glad that it led me to pick up Red, White, and Whole by Rajani LaRocca. It is a middle grade novel in verse, and features our protagonist, Reha, who is an Indian-American girl who is a second generation immigrant living in the Midwest of the USA. When the book opens, her main emotional conflict is that she is torn between the community she has at school, where she sometimes feels “too Indian”, being one of the only Indian-American students, and home, where she sometimes feels “too American”. The author commented that this book draws directly on her personal experience as a teen growing up in the 1980s.
It’s been twenty-seven days since Cleo and Layla’s friendship imploded.
Nearly a month since Cleo realized they’ll never be besties again.
Now Cleo wants to erase every memory, good or bad, that tethers her to her ex-best friend. But pretending Layla doesn’t exist isn’t as easy as Cleo hoped, especially after she’s assigned to be Layla’s tutor. Despite budding friendships with other classmates–and a raging crush on a gorgeous boy named Dom–Cleo’s turbulent past with Layla comes back to haunt them both.
Alternating between time lines of Then and Now, When You Were Everything blends past and present into an emotional story about the beauty of self-forgiveness, the promise of new beginnings, and the courage it takes to remain open to love.
I’ve read probably over a hundred books about romantic breakups, but only a small handful about friendship breakups. And it’s a damn shame, if you ask me. Some of the most messy, prolonged exits from my life have been from friends. There is something about the unspoken way that some endings are drawn out, and you can feel it happening, but can’t quite pinpoint how or why, and start questioning if you are just imagining it.