Our Friend is Here! is a guest feature at The Quiet Pond, where authors, creatives, and fellow readers, are invited to ‘visit’ the Pond! In Our Friend is Here! guest posts, our visitors (as their very own unique character!) have a friendly conversation about anything related to books or being a reader — and become friends with Xiaolong and friends.
Asian Heritage Month Edition is a month-long event at The Quiet Pond, where Asian authors and bookish content creators are invited to celebrate being Asian, Asian books, and the experiences of being an Asian reader. (Note: Here is an explanation of why we are calling this guest series ‘Asian Heritage Month’.)
One of my biggest hopes is that Asian Heritage Month – or, whenever we talk about Asian identity and Asian books – will shift to be more inclusive, welcoming, and thoughtful of Asian identities, such as South-East Asia, South Asia, West Asia, and Central Asia. I want Asian Heritage Month to be a time where all Asians feel a sense of community and solidarity, a time where they can celebrate each others’ Asian identities and carve a space where all Asians are included and celebrated.
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In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through.
I had heard so much about Exit West; heard about how brilliant it was, how thoughtful, and how deep, and I have to say — I absolutely agree with all its praises. It follows Nadia and Saeed, two characters who live in an unnamed Middle-Eastern country (though the author has alluded that the city is based on his home in Pakistan), and how they escape the violence and instability of their country by escaping through a mysterious door that has appeared across the world. Transported to a new place, Nadia and Saeed grapple with losing their home and trying to make a new one. And thus, Hamid has elegantly written a profound and moving story about emigration, the refugee experience, and the relationships we have with others.
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